| The Dark Half |  | Author: Stephen King Publisher: Hodder Paperbacks Category: Book
List Price: £8.99 Buy New: £6.79 as of 16/5/2012 16:47 PDT details You Save: £2.20 (24%)
New (30) Used (7) from £4.42
Seller: Amazon.co.uk Sales Rank: 30,460
Languages: English (Unknown), English (Original Language), English (Published) Media: Paperback Pages: 480 Number Of Items: 1 Shipping Weight (lbs): 0.7 Dimensions (in): 7.7 x 5 x 1.3
ISBN: 1444708155 EAN: 9781444708158
Publication Date: November 10, 2011 Shipping: Eligible for FREE Super Saver Shipping Availability: Usually dispatched within 24 hours
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Amazon.co.uk Review In 1985, 39-year-old Stephen King announced in public that his pseudonymous alter ego, Richard Bachman, was dead. (Never mind that he revived him years later to write The Regulators.) At the beginning of The Dark Half, 39-year-old writer Thad Beaumont announces in public that his own pseudonym, George Stark, is dead. Now, King didn't want to jettison the Bachman novel, titled Machine Dreams, that was he working on. So he incorporated it in The Dark Half as the crime oeuvre of George Stark, whose recurring hero/alter ego is an evil character named Alexis Machine. Thad Beaumont's pseudonym is not so docile as Stephen King's, though, and George Stark bursts forth into reality. At that point, two stories kick into gear: a mystery-detective story about the crime spree of George Stark (or is it Alexis Machine?) and a horror story about Beaumont's struggle to catch up with his doppelganger and kill him dead. This is not the first time that Stephen King has written a dark allegory about the fiction writer's situation. As the New York Times writes, Misery (1987) is a parable in chiller form of the popular writer's relation to his audience, which holds him prisoner and dictates what he writes, on pain of death. The Dark Half is a parable in chiller form of the popular writer's relation to his creative genius, the vampire within him, the part of him that only awakes to raise Cain when he writes, the fratricidal twin who occupies "the womblike dungeon" of his imagination." --Fiona Webster
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